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Contrast Between Becket And Stoppard As Absurdist

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... Stoppard cannot control his flow of language and gimmicks?" (John Weightman); another said "Jumpers had a brilliant, Absurdist Theater may be the 20^th century's most popular non-realistic genre. In the Absurdist school of drama, Stoppard's consuming belief that a discussion of deep philosophical issues can be presented in the midst of such blatant hands of Stoppard, to believe in Stoppard, as the issues he raises are so complex, and so complexly portrayed, that Stoppard's play and, fittingly, it deals with many of the same sort of issues as Stoppard's later would: ...



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Sources list for CONTRAST BETWEEN BECKET AND STOPPARD AS ABSURDIST:

Travesties: The Stagecraft of Tom Stoppard - by Michael Berry
Tom Stoppard's "Travesties"

"Travesties: The Stagecraft of Tom Stoppard," by Michael Berry
Tom Stoppard's "Travesties"

Stoppard, Tom. Arcadia. Boston, Maryland: Faber and Faber, 1993.
“A Defense of Poetry”

Stoppard, Tom. Rosencrantz & Guildenstern Are Dead. New York: Grove Press, 1967.
“The Playmaker” by Thomas Keneally

Frame, Robin. The Political Development of the British Isles, 1100-1400. UK: Oxford University Press, 1990.
King Henry II and Thomas Becket

 

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