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Why Iago Protagonist

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... only makes sense that Shakespeare would focus his dialogue on Iago, and let Iago speak more than Othello - it is Iago's Shakespeare knows how interesting Iago is. Iago is captivatingly charming, despite his evil ways. And this magnetism is grief and before he kills himself, he stabs Iago. Iago is only wounded and not killed. Othello then kills himself in a are portrayed as dupes, instruments of the wily Iago. Iago, the audience can plainly see, is an evil man. cannot be denied, it is mistaken to cast blame entirely on Iago. Iago is evil but he is also smart. In a sense, Iago is ...



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Sources list for WHY IAGO PROTAGONIST:

W. H. Auden on Iago, Accessed online on 11^th May 2003: http://www.sparrowsp.addr.co m/articles/Auden_on_Iago.htm W. H. Auden on Iago, Accessed online on 11^th May 2003: http://www.sparrowsp.addr.co m/articles/Auden_on_Iago.htm
Iago in "Othello"

Rand, Frank Prentice. "The Over Garrulous Iago." Shakespeare Quarterly. 1.3 (1950 Summer): 155-161
An Apology For Iago

Omer, Haim. "Doctor Iago's treatment of Othello." American Journal of Psychotherapy. 1991. Ebsco Database. Site Accessed May 1, 2004. Omer, Haim. "Doctor Iago's treatment of Othello." American Journal of Psychotherapy. 1991. Ebsco Database. Site Accessed May 1, 2004. <http://search.epnet.com/dir ect.asp?an=9602291030&db=aph>
The Rise and Fall of Iago

Zender, Karl F. "The humiliation of Iago." Studies in English Literature (Rice); Spring94, Vol. 34 Issue 2, p323, 17p.
Iago: Elusive or Illusive?

Babcock, Weston. "Iago--An Extraordinary Honest Man." Shakespeare Quarterly. 16.4 (1965 Autumn): 297-301
An Apology For Iago

 

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